In Crude Futures, documentary photographer John Lake returns to one of his favourite subjects, youth culture, lending his critical eye to the clubs and communities of the Hutt Valley. Roller-skaters, speedway enthusiasts, rock musicians, army cadets and Miss Hutt Valley contestants are captured and transformed from the ‘so-real’ to the ‘surreal’ in his striking large-scale portraits.
Lake says he sees teenagers as the touchstone for what is hip and current in our society, occupying the limbo space between child and adult, and is fascinated by their “constant speculative forecasting of their futures”. The title of the show also refers to futures-trading, the oil industry and our general inability to predict the future with certainty. To complement Lake’s portrait and landscape images, Crude Futures also features moving image interviews with the Hutt Valley teenagers he photographed, about their thoughts and plans for the future.
Crude Futures builds on Lake’s earlier series, The Rise & Fall of Western Civilisation (Toi Poneke, 2008), which was also shot in the Hutt. Like his previous work, the exhibition blends a documentary framework with surrealist sensibilities to find magic in the simplest of actions.
"His portraits of society are at their best in the waiting moments when the action is supposedly happening elsewhere ... he doesn't seek to laugh at his subjects but reveal the genuine nobility of their pursuits…Lake's work is very much in the grand documentary tradition,"
Mark Amery, Dominion Post 2008
Lake’s practice has long enjoyed a special fascination with youth culture and the punk music scene and he has an ongoing relationship with the band So So Modern. Some of the subjects of Lake’s Hutt Valley portraits feature in the band’s music videos. To celebrate the opening of Crude Futures, So So Modern will perform at TheNewDowse in an Extra Late Lounge session on Saturday 17 April. The exhibition coincides with the release of the band’s latest album, also titled Crude Futures. So So Modern has been described as ‘frenetic genre-contortionists’ whose performances are ‘fearless amalgams of spurting synths, jagged guitars, shuffling dance steps, and strange animal costumes’ (www.rockfeedback.com).
John Lake lives in Karori, Wellington and holds a Bachelor of Design from Massey University (2001). Last year, he completed a Master of Fine Arts, also at Massey University and is currently a photography tutor there. Also in 2009, The Candidate, an exhibition that documented the Wellington Central candidates in the upcoming election campaign, opened at Toi Poneke, Wellington. Previous exhibitions have been at Wellington galleries: Enjoy, The Engine Room, The Michael Hirschfeld Gallery; and in Auckland at Artspace. While not having any direct connection with the Hutt Valley, Lake has been photographing there for 10 years, including a series on metal band backyard Backyard Burial which featured at The Dowse in 2000.
ENDS
John Lake: Crude Futures 17 April - 25 July 2010 TheNewDowse | FREE ENTRY www.newdowse.org.nz
So So Modern: Late Lounge Extra | KOHA Saturday 17 April, 7pm
The Making of Crude Futures | FREE Floor Talk by John Lake Saturday 1 May, 2pm
Media enquiries and images:
Rachel Healy Communications Advisor
T +64 4 560 1477 | 027 687 4226
E rachel.healy@huttcity.govt.nz