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Installation View. Photo by Dave Turnbull. A showcase of New Zealand's hottest entrepreneurial ideas, refueled every four months, HotHouse celebrates the places where new ideas ignite. From flax surfboards to biotech fabrics, soil roofing and

Bridgit Anderson, Waimari Cemetary, 2005 - 2006. Courtesy of Sofa galelry and Centre Contemporary Art, Christchurch. Come see the new show for children at TheNewDowse. A new exhibition for children celebrating the magical touch of textiles.

Michael Parekowhai: Jim McMurty, 2004. Image courtesy of Michael Lett. From around the world to TheNewDowse. Jim McMurtry, Michael Parekowhai's infamous giant blow-up bunny, has been seen snoozing in locations across the world from South Korea to

Installation Views by Jeff McEwan. A contemporary take on watercolour. Watercolour has become synonymous with cloyingly sentimental depictions of colonial landscapes, cottage gardens and softly modelled portraits and seemed destined to be locked in

Photograph by Jeff McEwa. Courtesy of TheNewDowse. Can you imagine what art looks like by touching it? Can a photograph make you feel hungry? Do you remember sounds when you look at a picture? Targeted at kids aged 3-10, this engaging interactive

Gordon Walters, Waiata (Detail), 1977. Gain some insight into the way some of TheNewDowse's collection has been created. Works of art are typically the result of months of preparation - the final conclusions of jottings, drawings, sketches and

Bridgit Anderson, Waimari Cemetary, 2005 - 2006. Courtesy of Sofa galelry and Centre Contemporary Art, Christchurch. Step into an unfamiliar territory with Bridgit Anderson's exhibtion. In Caring for the Dead, Bridgit Anderson takes the viewer into

John Lake, Crude Futures, 2010. Mixing surrealism with a documentary approach. John Lake is primarily concerned with exploring the underlying themes and meta-narratives within contemporary culture, particularly those enacted in suburbia. In Crude

Lucie Rie, Set of Bowls, c. 1955. Collection of The Dowse Art Museum, Dame Doreen Blumhardt Bequest. In fond memory of Dame Doreen Blumhardt. Best of The Blumhardt, in The Dowse's Blumhardt Gallery, celebrates the vision of one of New Zealand’s

Cedric Firth, Monro State Building, Nelson, 1966. Long Live the Modern celebrates twentieth-century architectural initiatives concerned with the new – new technologies, new materials, new forms, new building types, new ways of living -

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Hothouse

Fuzz, Felt and Fur

Jim McMurty

Liquid Dreams

Tickle My Senses

Drawing Conclusions

Caring for the Dead

John Lake: Crude Futures

Best of the Blumhardt

Long Live the Modern