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    Gavin Hipkins: The Domain *Preview*
    Nov 4 2017 - Nov 24 2017
    Gavin Hipkins, Detail from The Next Cabin, 2000 - 2002. Courtesy of The Artist. New Zealand artist Gavin Hipkin’s survey exhibition The Domain opens at The Dowse on Saturday 25 November. Between 4 November and 25 November we are presenting a
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    Nicholas Mangan: Limits to Growth
    Aug 19 2017 - Nov 12 2017
    Limits to Growth is the first survey exhibition of Australian artist Nicholas Mangan to be held in Aotearoa New Zealand. With a strong research base in history, science and visual culture, Mangan's work addresses a range of themes, including the
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    Handshake 3: Reflect
    Aug 5 2017 - Dec 3 2017
    Becky Bliss, Paradoxical Pegs, 2017. Installation view. Courtesy of The Dowse Art Museum. Photographer Mark Tantrum. To ‘reflect’ can mean both to mirror or to cast back and respond. In this exhibition, 12 jewellers who are a part of
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    Maureen Lander: Flat-Pack Whakapapa
    Jul 15 2017 - Nov 12 2017
    Maureen Lander, Flat-Pack Whakapapa, 2017. Courtesy of The Dowse Art Museum. Photo by Shaun Matthews. Just as whakapapa (genealogy) reflects someone’s lineage and biology, the starting line of a kete determines how its patterning and size will
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    Fiona Clark: Te Iwi o Te Wāhi Kore
    Jul 15 2017 - Nov 5 2017
    Philip Trusttum, Untitled (Toothbrushes), 1972. Collection of The Dowse Art Museum. Purchased 1978. For over 40 years, Fiona Clark’s style of documentary photography has continued to capture the essence of the communities she has been a part of,
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    He Taonga Te Reo
    Jun 17 2017 - Oct 15 2017
    Philip Trusttum, Untitled  (Toothbrushes), 1972. Collection of The Dowse Art Museum. Purchased 1978. It seems that whether the hand is holding a pencil, a loaded brush, a piece of modelling clay, or even a collage paper, it is not important. What
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    The Mind in the Hand: Drawing from The Dowse Collection
    May 13 2017 - Oct 29 2017
    Philip Trusttum, Untitled (Toothbrushes), 1972. Collection of The Dowse Art Museum. Purchased 1978. It seems that whether the hand is holding a pencil, a loaded brush, a piece of modelling clay, or even a collage paper, it is not important. What is
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    Richard Stratton: Living History
    Mar 25 2017 - Jul 2 2017
    Emma Fits, Sensory Ground at Isle of Harris, 2016. Fabric Installation, Courtesy of  the Artist. In Living History, Wellington artist Richard Stratton presents a series of new work that continues his interest in bringing together ceramic decoration
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