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Rebecca Swan, Mark Boy/Girl, 1998. Assume Nothing, explores the intimacies, nuances and complexities of gender identity. From 1995 until 2004 Rebecca photographed and interviewed 27 people from around the world. She was moved by their willingness to

Michael Parekowhai, You're My Best Friend (1/2), 2000. Courtesy of the artist and The Wallace Arts Trust Collection. This rich and sometimes quirky exhibition offers visitors an unparalleled opportunity to view works from The Wallace Arts Trust

Victor Bright, Green Stripes on Turquoise (Detial). Iconic Wellington playwright, author, performer, and curator, Jo Randerson, has now thrown open the doors to outsider art, in her latest exhibition. Offering a welcome breath of fresh air, My House

Anne Noble, Wilhelmina Bay, Antarctica, 2005. Courtesy of the artist. The unfathomable, untouched and un-tamable landscape that is Antarctica is brought to life using words, paintings, photographs, music and sculpture in this multi-disciplinary

Jum Nakao, A Costura Do Invisivel, 2008. In celebration of TheNewDowse's first birthday and ‘Paper Anniversary’, we are delighted to showcase an artist whose creative genius can transform a humble sheet of paper into the most extraordinary

Issey Miyake James Dyson, The Wind: Spring/ Summer 2008, 2008. Aptly titled ‘The Wind’, Issey Miyake’s latest collection show at the Louvre was brought to life in the form of a thrilling man-made windstorm. The 2007/2008 collection and its

Madeline Child, Pop Pop, 2007. Courtesy of the artist. Celebrity portraits, dysfunctional families and candy-coloured popcorn feature in this quirky exhibition of ceramic works based on The Dowse’s renowned collection. Unlocking the ceramist’s

Elizabeth McClure, Legato (detail), 2007. Courtesy of the artist. 'Conversations’ is an exhibition of new work from glass artist Elizabeth McClure and painter Lorraine Rastorfer. Although working in quite different mediums, scale and format,

Lyndsay Patterson, Glassware. Delicately melding together molten elements of his pacific heritage, glass artist Lyndsay Patterson’s new exhibition Navigate, invites viewers to take a revealing journey into his family’s past. Having abandoned the

Val Sutherland, Samantha, 2002. Collection of The Dowse Art Museum, purchased 2003. Candy–coloured pig girls, buttoned-up bunnies, benevolent frog-men and preppy show dogs take centre stage in this fantastical menagerie entitled ‘Beasts’.

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Assume Nothing

A Generous Eye

My House Surrounded by a Thousand Suns

Sinfonia Antarctica

A Costura Do Invisivel

The Wind - Issey Miyake + Dyson

The Magic of Mud

Conversations

Navigate

Beasts