Search

GLENN JOWITT , AUCKLAND SECONDARY SCHOOLS' MAORI AND PACIFIC ISLANDERS' DANCE FESTIVAL, HILLARY COLLEGE, OTARA, AUCKLAND, 1981. COLOUR CIBACHROME PRINT. COLLECTION OF THE DOWSE ART MUSEUM, PURCHASED 1984, J.W.T. ADAMS BEQUEST. IMAGE COURTESY OF THE

Billy Apple, Untitled, 2012. Collection of The Dowse Art Museum. In 1962, Barrie Bates bleached his hair and eyebrows with Lady Clairol Instant Creme Whip and changed his name to Billy Apple. The image of the apple has since become a recurring motif

SRIWHANA SPONG, THIS CREATURE, (2016). HD VIDEO. 14’55 MIN COURTESY OF THE ARTIST AND MICHAEL LETT GALLERY. Ruth Buchanan, Alicia Frankovich, Mata Aho Collective, Sriwhana Spong. Can Tame Anything extends and complements the exhibition Embodied

Installation Shot by John Lake. Elisabeth Pointon’s window project Don’t miss out. considers the conventions and implications of corporate language. Working at a luxury car dealership to support her art practice, Pointon became interested in

Cliff Whiting, Whanganui A Tara (Ngake and Whataitai, c. 1990. Collection of The Dowse Art Museum. Art and craft have been vital to our education system since the 1940s. The exhibition Scribble Sculpt shares the story of pioneering teachers who

Zac Langdon-Pole, Gloss (1. My Body A Clot of Inscriptions), 2016. Courtesy of the Artist and Michael Lett. Sleeping Arrangements pivots around a moment of crisis—the beginning of the second decade of the AIDS epidemic in the early 1990s. This

PAULINE RHODES, ROCK LINKS, 2016, COURTESY OF THE ARTIST. Christine Hellyar, Maureen Lander, Vivian Lynn, Pauline Rhodes, The Estate of L. Budd. Embodied Knowledge is a new exhibition presenting significant sculptural works made by women artists

Once described by colleagues as a ‘jet-powered meteor’, Dame Doreen Blumhardt (1914–2009) was a unique figure in the Aotearoa New Zealand pottery scene. From craft education to advocacy, hosting and publishing, Doreen was central to the

Shannon Te Ao (Ngāti Tūwharetoa) blurs the lines between melancholy and optimism, exploring language and interpersonal relationships through oral traditions—karakia, waiata and whakatauki—as well as song lyrics, performative gestures and

Jay Hutchinson, Across from the court, on the way to the mall (Detail), 2017. Courtesy of the Artist. To ‘reflect’ can mean both to mirror or to cast back and respond. In this exhibition, 12 jewellers who are a part of the Handshake project

Search Results

Fully-matching results

Come Together

Billy’s Apple

Can Tame Anything

Elisabeth Pointon: Don't miss out.

Scribble + Sculpt: Art in Schools

Sleeping Arrangements

Embodied Knowledge

Doreen Blumhardt: Jet-Powered Meteor

Shannon Te Ao: my life as a tunnel

Jay Hutchinson: Across from the court, on the way to the mall