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SRIWHANA SPONG, THIS CREATURE, (2016). HD VIDEO. 14’55 MIN COURTESY OF THE ARTIST AND MICHAEL LETT GALLERY. Ruth Buchanan, Alicia Frankovich, Mata Aho Collective, Sriwhana Spong. Can Tame Anything extends and complements the exhibition Embodied

PAULINE RHODES, ROCK LINKS, 2016, COURTESY OF THE ARTIST. Christine Hellyar, Maureen Lander, Vivian Lynn, Pauline Rhodes, The Estate of L. Budd. Embodied Knowledge is a new exhibition presenting significant sculptural works made by women artists

GLENN JOWITT , AUCKLAND SECONDARY SCHOOLS' MAORI AND PACIFIC ISLANDERS' DANCE FESTIVAL, HILLARY COLLEGE, OTARA, AUCKLAND, 1981. COLOUR CIBACHROME PRINT. COLLECTION OF THE DOWSE ART MUSEUM, PURCHASED 1984, J.W.T. ADAMS BEQUEST. IMAGE COURTESY OF THE

Zac Langdon-Pole, Gloss (1. My Body A Clot of Inscriptions), 2016. Courtesy of the Artist and Michael Lett. Sleeping Arrangements pivots around a moment of crisis—the beginning of the second decade of the AIDS epidemic in the early 1990s. This

Shannon Te Ao (Ngāti Tūwharetoa) blurs the lines between melancholy and optimism, exploring language and interpersonal relationships through oral traditions—karakia, waiata and whakatauki—as well as song lyrics, performative gestures and

Installation Shot by John Lake. Elisabeth Pointon’s window project Don’t miss out. considers the conventions and implications of corporate language. Working at a luxury car dealership to support her art practice, Pointon became interested in

Billy Apple, Untitled, 2012. Collection of The Dowse Art Museum. In 1962, Barrie Bates bleached his hair and eyebrows with Lady Clairol Instant Creme Whip and changed his name to Billy Apple. The image of the apple has since become a recurring motif

Lauren Kalman, But if the Crimes is Beautiful. Strangers to the Garden, 2016, Inkjet Print. Courtesy of the Artist and Sienna Patti USA. Precious things aren’t always made from precious materials—and jewellery is no exception. The intimacy of

Once described by colleagues as a ‘jet-powered meteor’, Dame Doreen Blumhardt (1914–2009) was a unique figure in the Aotearoa New Zealand pottery scene. From craft education to advocacy, hosting and publishing, Doreen was central to the

Gavin Hipkins, The Homely : Te Wairoa (Falls), 1999. New Zealand artist Gavin Hipkins’ career is characterised by a remarkable fluidity, spanning a wide range of photographic media, from slide transparencies to photograms to moving image. From 25

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Can Tame Anything

Embodied Knowledge

Come Together

Sleeping Arrangements

Shannon Te Ao: my life as a tunnel

Elisabeth Pointon: Don't miss out.

Billy’s Apple

The Language of Things: Meaning and Value in Contemporary Jewellery

Doreen Blumhardt: Jet-Powered Meteor

Gavin Hipkins: The Domain